The waterline has risen above my head. I do not want learning, dignity, or respectability. I just want to see more clearly under water.
Thursday, February 12, 2026
Wednesday, October 2, 2024
Tuesday, October 1, 2024
Sunday, September 29, 2024
Saturday, September 14, 2024
Friday, September 13, 2024
Thursday, September 12, 2024
Wednesday, September 11, 2024
Monday, September 9, 2024
Sunday, September 8, 2024
Saturday, September 7, 2024
Thursday, September 5, 2024
Wednesday, September 4, 2024
Monday, September 2, 2024
Place Settings
Starting over is hard because it’s hard to know where to start. The “language” is the core and this is a recent page from my mandala sketchbook. I am waiting on myself.
Sunday, March 10, 2024
Wednesday, November 18, 2020
The End Of The Road
It’s hard to know where the light is coming from. It seems the end of a journey or some safe “well lighted place”.
Tuesday, April 9, 2019
Flowers Forever By Default
Whenever I can’t get started, whenever there are no good ideas, I paint flowers.
Thursday, July 19, 2018
The Gold Fish
Size matters. The size we feel matters. The size we want to be matters. The size we think we are matters.
Saturday, July 14, 2018
One Way Ticket To The Promised Land
Capitalism is to democracy as process is to expression.
A little capitalism strictly controlled is probably good for the democratic process. Not too much but just enough to keep us motivated and entrepreneurial. It’s a bit of a stretch but a little “processing” is also good to keep the expression flowing in a drawing or painting as it keeps one nicely in the present moment.
A little capitalism strictly controlled is probably good for the democratic process. Not too much but just enough to keep us motivated and entrepreneurial. It’s a bit of a stretch but a little “processing” is also good to keep the expression flowing in a drawing or painting as it keeps one nicely in the present moment.
By process, I mean taking each piece moment by moment and concentrating more on the energy and inspiration than a preconceived product. You should never really know what you will end up with and it’s easy to overwork or ruin pieces. They can unravel before your eyes within minutes. The artist must be very clear about what he/she wants to happen, and then the dance begins. One has to know oneself pretty well for the unconscious to compliment the work in this way. It’s not distracted, random play but rather serious, intentional play. Zen comes to mind.
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